Pages

Tuesday, 29 March 2022

CiM Testing: Goji

Handmade lampwork glass beads made with Creation is Messy Goji

Goji is the perfect name for this colour. It’s a goji berry orange-red that is not transparent enough to call transparent but also not fully opaque.

I didn’t strike the glass as such; I just made beads with it in my usual way so if there was any striking it would have happened while I was rounding up the beads and adding the spots.

Handmade lampwork glass beads made with Creation is Messy Goji

These beads have a core of CiM Creamsicle encased with a thin layer of Goji. There are slight colour variations towards the holes where I moved the glass with a brass tool, and this normally occurs with reds, oranges and yellows, but they barely show. 

The glass was smooth to work with and it didn’t shock or bubble.

Handmade lampwork glass beads made with Creation is Messy Goji

The spots on the beads are CiM Quetzal and the spacers are CiM Peacock Feather.

The beads were photographed outdoors on an overcast day.

Saturday, 5 March 2022

CiM Testing: Pizzazz

Handmade lampwork glass beads made with Creation is Messy Pizzazz

I’d been trying to save this one because it’s purple and purple is my favourite colour and for some reason I’d decided I had to keep it until last as some kind of treat but then my friend Jelveh asked me if I’d tested it yet and so I caved. 

Pizzazz was an attempt to recreate Jacaranda which was a transparent purple that had a hint of mistiness about it. Pizzazz is mistier than Jacaranda.

Handmade lampwork glass beads made with Creation is Messy Pizzazz

I’ve gone around the house with the beads trying them under different lights to see if the glass shifts colour to a more blue tone but most lights we have are LED and they don’t induce the same colour shift thing as older style lighting and fluorescent lights do so I can’t give a definitive answer on that one.

The glass itself was fine to work with. No shocking or bubbling.

For these beads I used the Pizzazz as a thin encasing layer over a core of CiM Heffalump. Because of the slightly foggy quality of the Pizzazz I thought I would get some sort of stringer reaction happening so I opted for Effetre Light Turquoise 232 stringer to test this and NO! No dark reaction lines or feathering. I really heated the scroll bead seeing if I could get a reaction line (a darker line running through the centre of the applied stringer) to happen but nope, it stayed crisp and clean. Interesting.

Handmade lampwork glass beads made with Creation is Messy Pizzazz

The purple spacers here are plain Pizzazz.

The beads were photographed outdoors in between rain showers on this frankly miserably-weathered Saturday.

Thursday, 3 March 2022

CiM Testing: Aquamarine Ice Milky & Misty

Handmade lampwork glass beads in Creation is Messy Aquamarine Ice Milky and Misty

These icy blue opals are a re-engineering of CiM Poseidon. The photo above shows Aquamarine Ice Milky on the left and Aquamarine Ice Misty on the right. As the names suggest, both are translucent but the misty version is a bit  more transparent.

Handmade lampwork glass beads in CiM Aquamarine Ice Milky
Aquamarine Ice Milky encased in clear, with white spots

Aquamarine Ice is a really lovely shade of blue and for for the milky version I encased it with a thin layer of Effetre 006 Super Clear and applied spots of Effetre White 204. The spacers are plain Aquamarine Ice Milky.

Handmade lampwork glass beads in CiM Aquamarine Ice Milky
Aquamarine Ice Milky encased in clear, with white spots

I hardly ever encase the CiM opals and I don’t know why. I think it must stem from my beginner beadmaking days (before CiM was a thing) and it was an absolute no-no to consider encasing any of the Italian opalino and alabastro glass because it would crack, so I think I got it into my head that it would be the same with the CiM opals. However, on the few occasions that I have encased the CiM opals I’ve not had any troubles.

Handmade lampwork glass beads in CiM Aquamarine Ice Milky
Aquamarine Ice Milky encased in clear, with white spots

This round of testing I decided that I was going to use the misty and milky opals for my more usual type of beads instead of plain hearts or un-encased rounds. I’ve added the thin layer of clear as a barrier so that any decoration stays neat and clean because the opals have a tendency to make stringer and spots feathery and wibbly. That’s fine because you can use it to your advantage, like I do for my ‘batik’ style beads, but more often than not I like my dots and lines to be as crisp as a Krisproll.

Handmade lampwork glass beads in CiM Aquamarine Ice Milky
Aquamarine Ice Milky encased in clear, with white spots

When testing the Aquamarine Ice Misty I thought I’d put some beads with white spots in the kiln – as a sort of sister set to the Aquamarine Ice Milky ones – but no. Obviously some knobhead (that’s me) picked up a stringer of CiM Birchwood halfway through making them so some of the beads have white spots and some have ivory ones, and now I’ve ended up with two trios instead of the intended set.

Handmade lampwork glass beads in CiM Aquamarine Ice Misty
Aquamarine Ice Misty, encased in clear, in the sunshine

Aquamarine Ice is a proper blue sky blue and when the sun shines through the misty version of it it’s very swimming pool on a summer’s day.

I didn’t find either version of this glass at all shocky and it wasn’t bubbly or scummy. Really fab.

Handmade lampwork glass beads in CiM Aquamarine Ice Misty
Aquamarine Ice Misty encased in clear, with ivory spots

Both versions are lovely but Aquamarine Ice Misty is definitely going on my glass shopping list. Hopefully I’ll be able to nab some.

All photographs were taken outdoors in the shade unless otherwise stated.