Good old polka dots

I'm going to ignore the crazy long gap between this post and the previous one and just launch into writing this post.

I recently got a new oxygen concentrator. The old one was only just hanging on, puffing out next-to-no oxygen, and one day I realised that my bead making had slowed to my Hot Head torch days speed. I mean, I know I work slowly but this had become utterly ridiculous and making something as simple as a spacer bead was driving me mad. Encasing anything had become an almost impossible mission.

The new (well, reconditioned) oxygen concentrator is a beast. It's like having a new torch and it took me a while to get used to it. The flame is actually hot!

Last week I made some of my favourite beads - red with white polka dots.

These have cores of CiM Foam which I encased with a thin layer of Effetre red 076 and the polka dots are Effetre white 204.

I made a few of my 'classic' sets too. 

These green ones are CiM Peat Moss over CiM Foam with decoration in Effetre white...

...these ones are Effetre steel grey 088 over CiM Foam, again decorated with Effetre white...

...these lilac ones are CiM Yours Truly over CiM Gelly's Sty with decoration in, you guessed it, Effetre white (it's a favourite of mine)...

...and to mix it up, these have Effetre black 064 cores enacsed with Effetre light blue 052 with Effetre light periwinkle 360 decoration.

Some of the above beads are still available in my shop.

In crochet news...

I'm fully addicted to making shawls now. I crocheted my first one just over a year ago and I've not stopped since.

I like the way that a shawl can double up as a scarf but the best bit is how they make you feel all period drama when you drape one over your shoulders. They make you want to say "A single man of large fortune; four or five thousand a year. What a fine thing for our girls!" in your best Mrs Bennet voice.

All of the shawls pictured here are currently available in my Etsy shop and in the crochet section of my website shop. In both cases I'm set up to ship within the UK only but if you are outside the UK and you'd like to buy one, do let me know and I can give you a postage cost.

Ditsybeading

I've always said that you never stop learning a craft. There's always new knowledge to be had, skills to be honed and new materials and techniques to try. Whenever I make a bead design that I've not done for a while I enjoy applying my current knowledge of glass to it. Oftentimes this knowledge is minor but it's knowledge that the me of three years ago didn't possess and it allows me to understand the bead better. I am aware that I'm probably sounding really wanky but I'll carry on anyway.

With these Ditsybeads there are several things required to get the effect I'm after. The most important of these is the dot placement for the petals and making sure they're arranged correctly so that when melted flat the petals stay in a nice neat flower shape and don't end up like a vague splat. The dot-melting part is also really important and it's not just a case of bringing the bead to an all-over even heat; I concentrate on one flower at a time in a very particular way.

Adding the flower centres is also carefully done so that the dot touches all five petals and then it's heated to be slightly raised but not too flat. If it sounds fiddly and time consuming that's because it is. I worked out the Actual Price* of one Ditsybead the other day and almost laughed my tits off at the thought of asking that much for it.

Anyway, all of the Ditsybeads scattered throughout this post have new homes now but there are more on the way.

*By 'Actual Price' I mean what the bead price tag should be if I paid myself minimum wage based on time taken, and also taking into account materials, gas and electricity. I don't factor in the cost of nineteen years of skill because that would be the Actual Actual Price and I would never sell anything at that rate.

In crochet news...

I finished this blue shawl last week. It was one of those patterns that was so straightforward it kept catching me out. You can be lulled into a false sense of comfort when there are so many unfancy stitches involved and it only takes one stitch too few or too many to muff up an entire row.

This pattern is called 'Destination Unknown' and it's by Lisa Cook of LisasAttik. I really love Lisa's designs - all those straight lines and blocks of pattern are right up my street.

The blue shawl is available in my Etsy shop.

This week I've been mostly...

Listening to:

Cast On by Brenda Dayne. This is a knitting podcast that I adored back in the day. I kind of stopped knitting when the whole knitting-is-racist thing occurred in 2019 and then I nuked my Ravelry account a bit later when they decided that only 50% of their users could talk about politics (Trump supporters weren't allowed to voice approval of him, and no, I'm not a Trump lover but I am pretty flipping fond of free speech) and those two things combined with the behaviour of certain knitting people I'd formerly greatly admired kind of shat on knitting for me. I think I've knitted three pairs of socks since then and crochet has filled the knitting hole. However, discovering that Brenda has got back to podcasting after a six year hiatus was wonderful. She restarted Cast On during the pandemic but I only realised this last week so I've got many episodes to catch up on. Brenda is even making me want to fish out the old pointy sticks. Maybe. We shall see.

Watching:

Ashes to Ashes. Every now and again I need a dose of DCI Gene Hunt and I do a Life on Mars and Ashes to Ashes rewatch and right now I'm halfway through season three of the latter.

We cancelled our TV licence about a year ago so now we live in telly-gone-by and it's marvellous. Anything from the now that we do want to watch (rare) we get as a DVD, digital box set or download. I do not miss live television at all.

Reading:

Wild: Tales From Early Medieval Britain by Amy Jeffs

A post about post

This past year or so I've had more "my beads haven't arrived" emails than ever before. Most of the things I make are one-offs that I either can't or simply don't want to make again so a missing bead package always gives me the jitters.

Because of this I've made some postage and delivery changes in my webshop. These changes mean that my postage prices have gone up but everything I send out will now be insured and/or trackable.

UK Customers

Postage is calculated by the value of your order.

Orders worth up to £20.00 are sent Royal Mail 2nd Class to UK addresses. This is £1.50 per order and usually takes two to three working days. In the event of your parcel going astray we can claim the value of the beads inside it.

Orders worth over £20.00 and up to £150.00 are sent Royal Mail Tracked 48. This is £3.50 per order, insured, trackable online and usually takes two working days.

Orders worth over £150.00 are sent Royal Mail Special Delivery. This is £7.50 per order and is insured and trackable online. A signature is required upon delivery. This is a next day service.

Overseas Customers

If you are outside the UK - including all EU countries - you may have to pay import duties, VAT, other tax, postal service handling fees, or other fees, at your end. Normally your country's postal service will contact you to arrange payment of these fees before they will deliver your package to you. I am not responsible or liable for these taxes or fees - you are. Please check with your local postal service or relevant body to see what the current import value thresholds are where you live, and what taxes and/or fees you may be liable for.

Postage to Europe, America, Canada and the rest of the world is Royal Mail International Tracked and postage is calculated by the value of your order.

Postage for orders worth up to £50.00 costs £10.50. This is insured and trackable online.

Postage for orders worth over £50.00 costs £13.00. This is insured and trackable online.

In the rare event of your parcel not arriving, please contact me and we will work together to resolve the issue.

I'm back

I've recently had the longest break I've ever had from beads. I had Covid so I didn't work for a bit and then that bit turned into weeks and then more weeks. At one point I didn't think I'd go back to lampworking. I was ready to get rid of the shed and everything in it but fortunately Chris advised me to just leave everything where it was and to just wait. I seemed to have simply lost all enthusiasm for going down to the torch and glass. I stayed indoors and crocheted instead. I crocheted and I knitted and I crocheted a bit more. I even thought about going and getting a job at the Post Office. (I don't know why but whenever I've considered getting a job I always think about the Post Office.) I felt a bit lost and like I just wasn't supposed to make beads anymore. I was feeling that my beads are rubbish and boring and my refusal to 'make myself the brand' and be sucked into creating social media content - churning out videos and reels and all that guff - meant that my beadmaking days were probably over.

And then one day last month I got up and decided that I was going to go down to the shed and make some beads.

Before I lit the torch I sat and looked through my Flickr gallery and my own Instagram, surprised at just how many beads I've made over the years.

And then I made beads.

Afterwards I felt like a total idiot for feeling the way I'd been feeling.

My beads aren't rubbish or boring. I know they're not fancy sculptural beads or ones that contain inclusions and metals, or big massive focals - they are simple-looking, honed-over-nineteen-years, unfussy, small beads - but they are my beads, and that's fine.

I make beads for me. No, I don't wear them or keep them but the making of them is for me. The act of creating a bead is a little challenge and that challenge is what I love about making in general. I've tried a huge amount of crafts over the years but none of them has ever satisfied my makery urge as much as beadmaking does.

So on I go, continuing to do my own bead thing in my own way.

This past week I've revisited my Ditsybeads. I've always liked these even though they take a lot of faffing to get right. I timed it yesterday and each successful one takes me about fifteen minutes to make. That's quite a while for a 12mm bead. I'm such a slow beadmaker and I set myself such daft standards but again, without those things my beads would not be my beads.

Anyway, that's quite enough of the self-obsessed introspective blah-blah. Next time I'm having an "I'm burning the shed and everything in it!" drama queen moment, this post will serve as a reminder to myself to keep going.

I'm going to write a boring blog post now about new postage rates for my webshop for balance.

Why have one shop when you can have two?

I'm not a huge fan of Etsy. Its fees are too high and I have issues with some of their policies and biases. However, I'm at a point where I'm selling very little and I need to get my work seen. Instagram algorithms don't help with this unless you're willing to become a videographer who spends seventeen hours a day creating Instagram content and I refuse to do that. Also, PayPal seems to be playing silly buggers with my website checkout for some of my customers, and Etsy has many alternative payment options, so I've reluctantly reopened my Etsy shop. However, I'm keeping it to just UK sales at the moment. I'm keeping my website shop open too so right now I'm Laura Twoshops.

I'll add new items to both platforms for the foreseeable and I shall just see how it goes for the next few months.

Newly added items include this 'Sweetness' bracelet:

I made some matching earrings for it. I have two pairs of these.

There's also this very groovy 'Retro' tassel necklace.

All of these can be found in my web shop and my Etsy shop.

In crochet news...

In the previous post I mentioned that I was crocheting a shawl as a pattern test for another crocheter. The shawl is all done and is currently blocking.  I'll post a photo of the finished item when the pattern is released, which I think will be towards the end of the month. In the meantime, here's an in-progress shot of the shawl.

The yarn is Scheepjes Stone Washed in the shade Coral. The yarn reminds me of when I stir salad cream into Heinz spaghetti hoops. (Yes, I do actually do that and I've done it since I was a child and yes it sounds vile but no, in actual fact it's a taste sensation.)

I'm currently working on the border of another blanket which is made up of fifty-four of these mosaic crochet squares.

The pattern is the Terrazzo Afghan by Tinna Thórudóttir Thorvaldsdóttir. I bloody love Tinna's work. She's an absolute genius.

I'll post a photo of the blanket when it's done.

See you later!