Headpinning

I've been headpinning. At this point I'm in that zone I often find myself in where I keep making the same thing to find out why sometimes the outcome is this and other times that. This is resulting in an enormous amount of headpins. The daft thing is, I don't even know if people want to buy headpins.

Are some of you thinking "What is a headpin anyway?" and wondering what I'm droning on about?

Headpins are not hat pins or hair pins, neither are they finished items of jewellery. Headpins are used by jewellery makers to create pendants, earrings or charms. Beads are threaded onto the wire of a headpin and the glass part acts as a stopper and decorative end. The jewellery maker then finishes the piece with a loop and attaches it to a bail, earwires or whatever other finding they fancy dangling it from.

In most cases I melt the glass straight onto copper wire. Other times I make the glass component on the end of a mandrel and then epoxy in the wire afterwards. This is because some wire doesn't like being in a flame and also because sometimes it is easier to make the glass part on a sturdy mandrel end rather than it bouncing about on the end of a wire while you try and shape it. For example, my acorns and oak leaves are headpins; the acorns have their wires (copper with an antique bronze coating that cannot go in a flame) glued in after and the oak leaves are made directly on pure copper wire which I make darker with patination afterwards.

As you can see, I've been making a lot of leaf headpins. There's something very pleasing about the shape; it's very tactile, transparent ones catch the light beautifully and they would make great earrings.

For the leaves pictured throughout this post I've been using a set of mashers which I bought from LampworkTool on Etsy.

They're really good mashers and I highly recommend them.

I've also been experimenting with making hollow headpins.

These are quite tricky but it's ever so rewarding when they turn out well. 

These hollow ones would be perfect for earrings as they are nice and light.

Right now there are some green leaf headpin pairs in my shop and this weekend I'm going to sort out the big pile of assorted headpins that I've gathered over the past week or so and put some mixes of them in the shop too.

I'm feeling a bit lost with the glass right now, to be honest. I'm just making what I feel like making. I've totally given up trying to predict what people might like or what they want. And when I do make what people have asked me to make ("Damn, I missed them, please make more!" etc) the stuff just ends up sitting there. So yep, I'm making what I want to make and if someone wants to buy it, then bonus.

Do I sound like a glass grump? That'll be because I'm being a bit of a glass grump. It'll pass. *sigh*

A trip down muscle memory lane

Up until Thursday I'd not made an oak leaf headpin for five years. I approached the task slightly nervously because I was pretty convinced I'd forgotten how to make one but within two attempts my brain and hands had remembered exactly what to do. It was almost like I was watching someone else dab on the glass here, swipe it there, shaping and coaxing everything into an oak leaf kind of shape. Then I was off and away, muscle memory well and truly jogged.

I make my headpins in different ways, depending on what wire I want to use for them. The acorns I make on the end of a mandrel. This is because I'm working with a glob of glass that requires shaping by gravity and for that I need something sturdy to work on rather than a thin bit of wire which results in the acorn bit boinging about far more than is desirable. After the acorns are cool and cleaned I epoxy in non-tarnish antique bronze finish copper wire. I make my oak leaves straight on the wire because the shaping and clean-up of them is easier that way. Because the wire I use for the acorns has a non-tarnish finish I can't put it in the flame so I use bare copper wire for the oak leaves. (This already feels like way more information than anyone wants to know about this process but I've started so I'll finish.) This results in acorns with brownish coloured wires and oak leaves with bright, shiny copper ones. To make the shiny copper wires less shiny I give them a bit of a patina with some liver of sulphur. This darkens the copper and makes it less blingy. It's a very simple process but my word does it stink! It's like being stuck in a lift with a group of people from the Hard-Boiled Egg Sandwich Appreciation Society conference who’ve been eating egg sarnies for the whole weekend. Honestly, I cannot describe how egg-farty the stench of liver of sulphur is. It does the job, though, and fear not, the offensive scent gets washed off in the clean-up.

This morning I turned the finished acorns and oak leaves into necklaces.

I've only made five and they're in my shop at the time of typing, but if they sell out I'll make them available to order for a while.

I made some actual beads this week too.

These are CiM Little Boy Blue encased with a thin layer of Effetre Super Clear 006, decorated with spots in Effetre White 204. I never tire of the 'floaty' spots thing. There's one set of these left in my shop.

And I've also made another chain maille bracelet. This one is the 'Sweet Pea' weave which creates these little clusters linked to one another.

The bracelet is pure copper and it's available in the chain maille section of my shop.