Wednesday 18 September 2024

Butterscotch

Handmade lampwork glass beads by Laura Sparling

These butterscotchy colours are very autumnal.

This strand features a classic stacked dots pattern.

Handmade lampwork glass beads by Laura Sparling

And this strand of seven has many dots arranged in different ways.

Handmade lampwork glass beads by Laura Sparling

Handmade lampwork glass beads by Laura Sparling

Both of these sets were made with CiM Butter Pecan, Effetre dark topaz/root beer 016 and CiM Toto.

The beads are available in my shop.

Saturday 14 September 2024

Woodland

Handmade lampwork glass beads by Laura Sparling

I like the possibility sparks that happen when you're making two-colour beads. By limiting yourself to two colours and focusing on just making patterns your mind starts to ask "What if... ?" and several new ideas start to percolate.

Handmade lampwork glass beads by Laura Sparling

That's how these 'Woodland' beads came to be. I took one of the many patterns from all the black and white beads I've been making recently and I did it in CiM Dirty Martini, Effetre sage green 019 and CiM Toto instead, and I made seven beads all the same. I really like the result.

Handmade lampwork glass beads by Laura Sparling

These beads are quite small - 11mm diameter and 9mm hole-to-hole. I reckon they'd look nice tumble-etched.

The 'Woodland' beads are available in my shop.

Wednesday 11 September 2024

Even more black and white

Handmade lampwork glass beads by Laura Sparling

I've made a couple of smaller strands of black and white beads. I also made a dozen in black, white, light turquoise and orange-red. 

Handmade lampwork glass beads by Laura Sparling

Handmade lampwork glass beads by Laura Sparling

I forgot to say in my previous black and white beads posts that the black is Effetre 064 and Effetre intense black 066 and the white is Effetre 204. 

Handmade lampwork glass beads by Laura Sparling

The light turquoise here is Effetre 232 and the orange-red is Effetre coral 420. Coral varies from batch to batch and this is a particularly red version.

Handmade lampwork glass beads by Laura Sparling

These strands are all for sale in my shop. I know they're quite pricey but, as usual, they're not as pricey as they should be. All that dot placement and careful melting-in takes time. (I always feel the need to justify the price tag.)

I'm still not done with this style of bead, or the black and white, so I'll keep going. I think I'll try adding a touch of lavender-blue next time.

Saturday 7 September 2024

Back from my travels

I had a wonderful little trip to Northern Ireland to see my sister Emily, her fella Adam and their dogs, Pu-Ki and Trigger, in their new home. Donaghadee is such a beautiful little place. It's on the north-east coast of the Ards Peninsula and it has lovely shops and its own lighthouse.

Emily, me and Sally

The Donaghadee lighthouse

We went for a walk at the nearby Ballywalter Beach which is so very pretty, and we also visited the Ulster Folk Museum which was marvellous. People in period dress doing heritage crafts in actual olden buildings? Right up my cobbled street.

Em, Sal and Pu-Ki at Ballywalter beach

Pu-Ki

Me with Trigger

Now I've remembered how to use an airport I can't wait to go back because I have to go and see Giant's Causeway and the Tayto Castle. Also, I need to sample more of Northern Ireland's delicious baked goods. Never have I seen so many different cakes and buns. We went out for dinner one night at Harbour & Company in Donaghadee and I had the tallest, most fluffy lemon meringue pie I've ever had. So good.

I want to eat it again

I travelled back to Southampton with Sally and my nephew Dylan, and stayed a couple of nights with them.

Enca, Sally's cat

On the way home I called in to see my friend Zeb. We had a lovely few hours chatting and catching up, drinking tea and eating the most incredible banoffee cake that she baked for my visit.

Behold the baked banoffee brilliance!

Since I've been home I've mostly been saying random words in a Northern Irish accent and making more black and white beads. Every day I've added the previous day's beads to a strand and I've been walking about with them in my pocket. I love having a strand of beads to hand like that. They're comforting in a worry beads kind of way.

Handmade lampwork glass black and white beads by Laura Sparling

I'm not done with the black and white beads just yet. I'm enjoying making them too much to stop so please bear with me while I get them out of my system.

Handmade lampwork glass black and white beads by Laura Sparling

I separated the mega-strand above into four smaller strands, each consisting of nineteen beads and at the time of typing I have two strands left.

Handmade lampwork glass black and white beads by Laura Sparling

Handmade lampwork glass black and white beads by Laura Sparling

Each strand is enough to make a bracelet just as they are, or the addition of a few spacers or accent beads will give you a striking monochrome necklace.

The black and white beads can be found in my shop.

Tuesday 20 August 2024

More black and white ones

Black and white lampwork glass beads by Laura Sparling

I kept going with the black and white, making sure not to kill any in the water jug, and I've ended up with another bunch of little beads. These are about 10 to 11mm diameter.

Dots-and-lines beads have always been some of my most favourite beads to make but I think I somehow forgot that somewhere along the way. I'm glad I've reminded myself how much I like making them.

Black and white lampwork glass beads by Laura Sparling

I'll be making more today but none of these beads will be for sale for a week or so because tomorrow I'm going away for a few days. I'm off to visit my littlest sister in Northern Ireland. She and her fella moved to Donaghadee a couple of months back and my other sister, my nephew and I are going out to visit her for the first time.

This means I'm going on a plane! I haven't been on an aeroplane since 2006. I won't pretend I'm not a tad nervy about it. I don't fear flying, it's just I've not done so for so flipping long. It can't have changed that much, can it? Of course not. It'll be FINE. I had to get a new passport and everything because my old one expired in 2008. I know you don't need one to get into Northern Ireland but you do need photo ID and I don't have a driving licence so a new passport it was.

I'll leave you with a photograph of a bee enjoying one of my sunflowers.

Bee on a sunflower

This particular sunflower is near on nine feet tall and I had to stand on tiptoes, hold my phone as high as I could and use the zoom without actually being able to see the screen, so it's surprising I got this picture at all.

See you in a week or so!

Monday 19 August 2024

Corina, you're a legend

A couple of weeks ago my propane started running low. There comes a point where the pressure in the bottle isn't quite right and it can make stringerwork and certain colours of dots go all feathery and weird, but there's still gas left so I keep on going, making spacers and really simple spotty beads until it's all used up. As such, I have a pile of spacers and odd-bod beads to clean and photograph.

Before the gas started to run out I was having a bit of a (another) moment with what I call my 'bead dysmorphia' and this time I was finding it utterly impossible to make the beads I wanted to make. I got so angry and upset with myself. I can’t write or talk about this at length without sounding like a self-obsessed tit (and trust me when I say I cannot bear the self-obsessed tittery of others on the internet and I really don't want to be one of those people) so instead I'll just say that I ended up reading several articles about maladaptive perfectionism and I'm trying to take some of the advice given in those pieces.

One of the first proactive things I did was head straight to Corina Tettinger's website. Corina has always been a constant in my beadmaking world and I still think that her Passing The Flame book is the best lampworking book out there. I've always loved Corina's beads but her writing about beads is equally as marvellous. She doesn't know it but she often gives me the kick up the arse I need to get on and try something, and in this case I think I was visiting her site in order to find some sort of "pull yourself together" kind of advice. I ended up downloading Corina's 250 Designs with Dots and Lines tutorial. Now, I don't want to sound like a boastful knobhead, but there's not a lot I don't already know about adding dots and lines to beads and I know everything in this tutorial (I am sounding like a boastful knobhead, aren't I?) but I love reading Corina's knowledge. It's just the way she says things; you feel like she's sat there next to you. I've never met Corina but yonks and eons ago we spoke on the phone a couple of times (and she very kindly gifted me the torch that I still work on) so I always read her writing in her voice in my head, if that makes sense. The tutorial is also FULL of photos of Corinabeads which are a delight to just look at.

I took the tutorial on my tablet down to the shed yesterday, just so I could prop it up and glance at a few words or a photo here and there (I'd already read it about twenty times and had committed most of it to memory) and I made black and white beads. Little ones. With dots and lines. And I made myself not ditch any I wasn't totally happy with; all of them went into the kiln.

I just want to point out that the beads are not direct copies of Corina's. Her writing was like a sort of hand-holding exercise and it reminded me that I'm supposed to enjoy making beads. And I did. The time flew by and this morning I have a little bunch of small black and white beads that I'm very happy with.

Black and white lampwork glass beads by Laura Sparling

There are a few where I can see what I class as flaws, or some dots that I could have placed better, but I'm ignoring them. Deep down I know they are decent beads and that other people do not look at them or judge them as critically and harshly as I do. I need to remember this. When I go back through ancient photos of my beads I can see worse niggly flaws but the me of then let them go so the me of now can definitely let these lesser niggles go, right? *zen face*

So yeah, this is a kind of "Thank you, Corina!" post, I guess. The tutorial did give me the kick up the arse I was in dire need of, and I'm just about to go and make more black and white beads.

Monday 29 July 2024

Knotty

I do enjoy being able to design a bracelet in my head and then create the beads I need to make that bracelet a reality.

I wanted to make a simple macramé bracelet that could be for both women or men. Men get left out of the lampwork bead jewellery market quite a lot, you see. 

I started by making some small 9 x 6mm cylindrical beads in Effetre dark topaz/root beer 016 decorated with Val Cox Raku Jitterbug (AKA Reichenbach R108 Iris Orange) frit. The resulting beads remind me of shingle beaches.

Lampwork glass frit beads by Laura Sparling

I then knotted them into a bracelet with dark brown nylon macramé cord and finished it off with a sliding knot and sterling silver ends.

Macramé and lampwork bead bracelet by Laura Sparling

I've just made that sound way simpler than it actually was; I ended up making the bracelet three times before I was happy with the bead spacing and finished fit.

Macramé and lampwork bead bracelet by Laura Sparling

But I got there in the end and I love it. I love it so much I'm keeping it for me.

Macramé and lampwork bead bracelet by Laura Sparling

I'm waiting for some different colours of cord to arrive and then I'll set about making some more of these bracelets for sale.

Macramé and lampwork bead bracelet by Laura Sparling

It's a proper warm one here. The fans are out and on, Nigel's upstairs sleeping in his favourite cool spot under the bed, and I'm drinking iced coffee (and by that I mean Camp coffee with milk and ice cubes just like my grandma used to make me) and typing this. Obvs.

My garden sunflowers are still sunflowering but when I was at the greengrocers on Thursday I couldn't resist buying myself a bunch of five sunflowers for inside the house.

Sunflower

I will never stop marvelling at sunflowers. They're incredible things, not only to look at but from a mathematical point of view too. This little video explains how they feature the Fibonacci sequence and spirals, and also the golden angle and ratio. Spectacular plants.

Right, I'm off to research men's bracelet sizes now. Enjoy your Monday!

Thursday 25 July 2024

Bracelet, beads and bargains

Handmade lampwork macramé bracelet by Laura Sparling

I had a load of lime green Ditsybeads left over. I don't quite understand why. I think I just made more of them than any other colour. But yeah, I've turned them into a very summery bracelet.

Handmade lampwork macramé bracelet by Laura Sparling

The beads are strung on macramé cord so the bracelet has a nice fluidity to it.

Handmade lampwork macramé bracelet by Laura Sparling

It fastens with a sliding knot so it's adjustable. The bracelet is ever so comfortable to wear and I like its boho kind of feel.

Handmade lampwork glass beads by Laura Sparling

I also made a batch of the beads that I used for the 'Cosmic Blue' bracelet in my previous post and these are available as strands of six.

Handmade lampwork glass beads by Laura Sparling

The beads remind me of stars and electricity.

Handmade lampwork glass beads by Laura Sparling

The bracelet and the beads can be purchased in my webshop.

Silver core beads, big hole beads and selected normal beads are currently 20% off, so if you've had your eye on something why not have a wander over to my shop and see if it's marked down?

Have a lovely evening!

Monday 22 July 2024

I'm a proper Cantabrigian now

I've lived in Cambridge for fourteen years and before that I was a regular visitor to the city for three years. When my foodbank warehouse colleagues learnt that in all that time I'd never been punting on the Cam, we decided to arrange a punting trip. After our shift on Friday the six of us hired a punt and went for a lovely river pootle along The Backs and then out to Grantchester Meadows.

King's College Chapel
King's College Chapel

It was the hottest day of the year so far and as such the river was very busy and at various points along The Backs it was a bit like water dodgems. It's so pretty, though. I'd never seen Cambridge from this angle and situation before and I had a few "Wow, I'm so lucky to live here" moments.

Mathematical Bridge - Queen's College Cambridge
Mathematical Bridge

When we reached the mill pond we had to use the boat rollers to move the punt up the slipway, across the footpath and into the next stretch of river. Sounds easy but oh my word punts are heavy, and we were grateful when a couple of kindly passers-by stopped and lent us a bit of grunt to complete the task.

This next bit of the river was full of swimmers, paddle boarders, canoeists and kayakers, and everyone was so chirpy and polite. We saw moorhens, a heron, and many ducks. I was really taken with the bright blue and black banded demoiselles we saw flitting about. I'd never seen them before and to start with I thought they were butterflies because of the way they fly. They were so beautiful. (I haven't got a photograph because they were a bit far away for my iPhone to successfully capture them.)

After a little break and some refreshments we headed back. A female mallard took to following our punt and I thought she was going to be alongside us all the way down the river but in the end she got distracted by a young boy on a paddleboard feeding her snacks.

Female mallard

When we got back to the mill pond (shifting the punt down the rollers was way easier than up!) there was a man serenading some gorgeous cows with his guitar.

Guitarist serenading cows at the mill pond, Cambridge

The river was even busier along The Backs by then and people were feeding the Canada geese as we came to the end of our adventure.

Canada geese on the Cam

All in all I had an absolutely brilliant afternoon with a bunch of utterly lovely people and I've been happy and smiley about it ever since.


In garden news...

The intense sunshine has finally made my first two sunflowers bloom.

Yellow and burgundy sunflower

I planted an assortment this year and so far I have one yellow and burgundy one, and one mostly burgundy one.

Burgundy sunflower

In bead news...

I made some cosmic-looking blue beads and turned them into a bracelet.

Handmade lampwork glass bead bracelet by Laura Sparling

The beads are Double Helix Triton wrapped with fine silver wire which I melted into droplets. They're encased with Effetre pale aquamarine 038.

Handmade lampwork glass bead bracelet by Laura Sparling

I've strung the beads with sterling silver beads and the extender chain is finished off with one of two silver star charms that I've had in my beads and findings stash for almost twenty years.

Handmade lampwork glass bead bracelet by Laura Sparling

The bracelet is currently available in my webshop.

If you fancy making your own cosmic-looking jewellery I'll be adding some of the blue beads to the shop in the next couple of days.


In crochet news...

I've started making a grey blanket for our lounge; I seem to have fallen into a habit of making us a new blanket every year.

Crochet Book Sale blanket in progress

This blanket is one heck of a task as the squares are quite complex. Each one is about eight inches square and takes me approximately two hours to complete. I need forty-two and so far I've made fourteen.

The pattern is the Book Sale Blanket by Julia Hart of Draiguna who is one of my absolute favourite crochet designers, and the yarn is Stylecraft Special DK in Silver 1203 and Grey 1099.