I've fallen off the blog again, haven't I? I mean, between my previous post and this one we've had Christmas and are into the third month of a new year, so that's quite a large blog pause.
I had a sad start to the year with the death of my maternal grandmother. Nannie was my last remaining grandparent so her death feels like a generational chapter closing.
It sort of feels like the year hasn't really got going yet. I've been crocheting doily after doily. The doily stack has reached insane levels of ridiculous but round and round I go, adding picots and pineapples and shells and mesh in a soothing, increasing, concentric fashion.
I keep trying to design my own doily but it involves maths which always defeats me and I end up throwing part-crocheted lace circles across the lounge in frustration. I will get there with a doily design, though, for I am human and will not be conquered by hooks and string.
I've added a crochet page to my online shop, not because I want to become a doily merchant but because whenever I post a photo of a doily on Instagram someone will always comment and tell me to sell it. I know that nobody really wants doilies - I don't even want bloody doilies - but they're there in a section of my shop anyway, just in case there actually is someone somewhere who is on the lookout for a doily.
Some doilies lend themselves to being mounted within a ring as a mandala-style wall hanging and I've got a couple of those for sale in the shop too.
I'm still a bit in the bead doldrums. Sales are very slow and hot on the heels of the pre-Christmas postal strikes we had the barmy Royal Mail 'cyber incident' that stopped anyone posting anything outside the UK for almost two months. Both events have been a right kick in the teeth to many microbusinesses and several people I know shut up shop for good because of it.
But still I plod on, making the beads I feel like making, when I feel like making them because making beads is what I do.
I've been working on some jewellery pieces combining my lampwork beads with wirework. At the moment I'm working in solid copper because A) it's a fraction of the price of sterling silver and I can make as many muff-ups as I like without feeling bad about it and B) I just love copper. It's such a gorgeous metal, whether it's left shiny or allowed to build up a natural patina, or if you hurry that patina along. I've been patinating the jewellery I've made with liver of sulphur, or 'egg water' as I call it. (See this post for explanation.) After the piece has reached the level of patina I'm after I polish parts of it back to a shine using fine steel wool which brings out the detail of any fancy wirework and creates a lovely antique shop style finish.
Solid copper can react with some people's skin, particularly with sweat or lotions, but any skin discoloration is totally harmless and can be removed easily with soapy water. I wear a copper chain maille bracelet and have had no skin discoloration issues but then again I don't wear jewellery to bed, in the shower, or all day every day. Basically, what I'm trying to say is don't let the copper put you off. Embrace its warm tones and vintage, bohemian look.
I've not abandoned sterling silver totally. I had a toadstool moment a few weeks back and I turned them into pendants.
Toadstool pendants |
It's snowing here today. It's wet mushy snow that isn't going to settle but that doesn't matter because even at forty-five years old I still find the sight of falling snowflakes magical.
I'm going to stay in the warm today and work on a crochet shawl because I'm doing a pattern test for another crocheter. I've never tested a pattern nor crocheted a shawl before so it's an adventure. Always be making, always be learning.
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